Of Montreal - Suffer for Fashion
Gnomead's Garden, a blog from a lovely and generous Beulah fan, has posted a live performance of the (late, lamented) band singing the "ABCs" song. It's from the 2001 Noisepop Festival.
Adam Schragin has turned in another excellent interview, this one with Jill Carnes of Thimble Circus. Her band--which also features Olivia Tremor Control's Eric Harris--released Lullaby for Worriers in 2003. "In the Courtyard," she talks with Adam about working with members of Neutral Milk Hotel, OTC, Gerbils, and The Instruments to create one of the most idiosyncratic albums to ever arise from Athens. Three sampler tracks included!
The Sunshine Fix, though the name of a track by Olivia Tremor Control, actually pre-dates the band slightly, a moniker for Bill Doss' solo recordings from the early days of Elephant 6. Under this name he released a cassette (A Spiraling World of Pop), before concentrating his focus on the Olivias for a few years. Just as that band was about to go "on hiatus," the name resurfaced again, this time on a vinyl single sold at merch desks during OTC's 1999 "farewell tour." Both sides had a surprising country flavor; "Beaconary Word" sounded like something a horse-riding Roy Rogers might sing after taking too much peyote. The following year, Kindercore Records properly announced the band to the world with an EP, The Future History of the Sunshine Fix, which contained both of the single's tracks as well as some funkadelic new ones, most notably "The Sound's Around You" (which has the subtitle "'Oh no it isn't!' cried the little lord funkleroy.") If the EP doesn't fully cohere (the country tracks sound jarringly out of place amidst the rest), it certainly grabs one's attention, and set the stage for his full-length debut, Age of the Sun, which fully commits to a unifying sound and vision. This week's MP3 is the EP's opening track, which features Derek Almstead (M Coast), Pete Erchick and Eric Harris (Olivia Tremor Control), and Scott Spillane (Gerbils). (Note that this EP is the only Sunshine Fix release to feature all of the Olivias contributing, though not on a single track.)
Royal Rhino Flying Records, a fantastic new indie label, has a number of projects on the horizon of interest to fans of Elephant 6. First up is Build Your Army with Potatoes, to be released later this summer. The compilation will feature tracks by High Water Marks, Palermo, The Visitations, Calvin, Don't Jump!, Bombay Bicycle Co., King of Prussia, and Seamonster (contributing "Robert Schneider's Abacus," a beautiful tune we featured on this site not too long ago).
Since I just got my copy in the mail yesterday, I think it's safe to say that copies of the new Instruments single are now shipping from Happy Happy Birthday to Me Records. The 7" vinyl features two Joy Division covers from Heather McIntosh's cello-driven band, "Passover" and "New Dawn Fades." HHBTM is also including in the package a bonus CD-R with the vinyl tracks and two more JD covers, "Decades" and "Love Will Tear Us Apart." (This is a very good thing, as I think my 1980's record player is finally breaking down.) It looks like there are still copies for sale at the HHBTM website. I'm listening to the single now, and I have to say that it's the most rocking The Instruments have ever sounded.
Before there was The Music Tapes, and before the years of Neutral Milk Hotel, Julian Koster was the triumphant leader of Miss America (renamed hastily to Chocolate USA due to copyright infringement). The band produced an untold number of self-released cassettes as part of their "Chocolatey Good Smash Hit of the Month Club" (a "way-fun mail club") as well as a full-length, All Jets Are Gonna Fall Today, which was given a CD release by Hoboken-based Bar/None Records (Of Montreal's first label). The album--which also featured band members Keith Block (drums) and Liza Wakeman (violin), as well as an assortment of supporting players--was a delirious mixture of sophomoric humor, sophisticated humor, happy songs filled with suicidal imagery, early-90's funk, scat singing, subliminal messages, and random nonsense songs that are strangely moving. Listening to it fifteen years on, it's striking how innocent it all is; even though little of it sounds like The Music Tapes, the impish spirit is Julian's. Threaded throughout the album are very personal cassette correspondences sent from an elderly New Yorker named Marie Caso, who relates to Julian her likes and dislikes, and an elaborate explanation for why she never buys clothing for men. It brings an unexpectedly nostalgic tone to the record, and unites what is otherwise an album of dramatically disparate styles.
They are the most inexhaustible band in the land, and now they're going back overseas! Here are the tour dates:
Midget and Hairs is one of the earliest Elephant 6 recording projects to emerge from Ruston, Louisiana, as singer/songwriter Paige Dearman, with assistance from members of Neutral Milk Hotel, The Apples in Stereo, and The Olivia Tremor Control, set her hypnogogic hallucinations to fuzzy cassettes and scratchy vinyl. But a full-length never materialized, and her material quickly became hard-to-find collectibles. In this Optical Atlas interview, Adam Schragin catches up with Paige in Austin to trace the origins of Midget and Hairs, as well as her newest band, Exhibit B Static Shade. Rare MP3s included!
The McSweeney's magazine The Believer will feature Of Montreal on this year's magazine/CD combo. The band will be represented both in an exclusive interview and with the track "Du Og Meg" (also on their EP Icons, Abstract Thee) on their CD compilation. The CD will also feature Zach Condon (Beirut), Page France, Sufjan Stevens, and many others. You can order it now at the McSweeney's store.
Shortly before The Olivia Tremor Control released Black Foliage Animation Music Volume 1 (still...waiting...for volume 2...), they released a teaser single on Flydaddy for Hideaway. Back in 2000 or so...or was it Christmas 1999?...my brother-in-law gave me this single as a present. I remember playing it for my mother and she said, "They sound kind of like the Beach Boys." Not a big coincidence, there, as Brian Wilson (and what should have been Smile, had Wilson finished it in the 60's) was a strong influence on the band's second album. But I'm not going to share that trademark Olivia track, as you can enjoy it if you go buy their very-in-print album from Cloud Records. Today's Tuesday rarities are the single's B-sides, which depart strongly from the syrupy psych-pop of "Hideaway" to explore the experimental and improvisational side of the band.
This Tuesday marks the release of the sixth album by The Ladybug Transistor, Can't Wait Another Day, on Merge Records. In addition to The Essex Green's Jeff Baron and Great Lakes' Ben Crum, it features guest spots by members of The Clientele, Circulatory System, Architecture in Helsinki, and Currituck Co. You can read my review here.
Ames, Iowa's Poison Control Center have announced that they've signed to Minneapolis' Afternoon Records, and will be releasing their debut full-length, A Collage of Impressions, this fall. The label will also be releasing a limited edition EP on July 10 with the album's first single, plus five other tracks. I've been anxiously awaiting this debut for a long time.